166, pagine
lingua English
Pubblicato il 09 Agosto 2019
The Deep is a 2019 fantasy book by Rivers Solomon, with Daveed Diggs, William Hutson and Jonathan Snipes. It depicts an underwater society built by the water-breathing descendants of pregnant slaves thrown overboard from slave ships. The book was developed from a song of the same name by Clipping, an experimental hip-hop trio. It won the Lambda Literary Award, and was nominated for Hugo, Nebula and Locus awards.
Also, you MUST check out the work this is based on: clipping.'s "The Deep" EP and Derxciya's Afrofuturistic mythos and music.
This story covers a number of different themes in such a rich way that it seems impossible it could be as short as it is. I personally really resonated with how the main character, imbued with the memory of their people, runs away from this duty because it is killing her. Much like Atlas bolted when Hercules gave him the chance, Yetu can't take it anymore. When coupled with the environmental and human (mermaid?) rights themes of this book, I couldn't help but think of how many people have burned out of activism while fighting to make the world a better place.
Yetu's struggle with balancing her own well-being and that of her people is really the conflict here, with the fate of the world dependent on one person. The story didn't pull any emotional punches and hit me a lot harder than any typical farmboy with a sword narrative …
This story covers a number of different themes in such a rich way that it seems impossible it could be as short as it is. I personally really resonated with how the main character, imbued with the memory of their people, runs away from this duty because it is killing her. Much like Atlas bolted when Hercules gave him the chance, Yetu can't take it anymore. When coupled with the environmental and human (mermaid?) rights themes of this book, I couldn't help but think of how many people have burned out of activism while fighting to make the world a better place.
Yetu's struggle with balancing her own well-being and that of her people is really the conflict here, with the fate of the world dependent on one person. The story didn't pull any emotional punches and hit me a lot harder than any typical farmboy with a sword narrative might.
I also really love that the story didn't end in the traditional, singular sacrifice of our hero, but in a more collaborative solution that was better for Yetu and her people. It felt optimistic, but realistic, and was a welcome change to the one person saves the world on their own narrative even if Yetu's own actions are a critical piece of that solution.
Despite the short length, the characters beyond Yetu held their own and felt like real people, not just cardboard cutouts there to advance the plot, which I've sometimes found to be the case in novellas.
I can't recommend this book enough. It deals with some heavy stuff, but makes you feel like anything is possible if you don't try to do it all on your own. It's definitely going on my list of tidalpunk recommendations.
