358, pagine
lingua English
Pubblicato il 03 Novembre 2017
358, pagine
lingua English
Pubblicato il 03 Novembre 2017
"From subway to Broadway to happily ever after. Modern love in all its thrill, hilarity, and uncertainty has never been so compulsively readable as in New York Times and #1 international bestselling author Christina Lauren's (Beautiful Bastard, Dating You / Hating You) new romance. Marriages of convenience are so ... inconvenient. Rescued by Calvin McLoughlin from a would-be subway attacker, Holland Bakker pays the brilliant musician back by pulling some of her errand-girl strings and getting him an audition with a bigtime musical director. When the tryout goes better than even Holland could have imagined, Calvin is set for a great entry into Broadway--until he admits his student visa has expired and he's in the country illegally. Holland impulsively offers to wed the Irishman to keep him in New York, her growing infatuation a secret only to him. As their relationship evolves from awkward roommates to besotted lovers, Calvin becomes …
"From subway to Broadway to happily ever after. Modern love in all its thrill, hilarity, and uncertainty has never been so compulsively readable as in New York Times and #1 international bestselling author Christina Lauren's (Beautiful Bastard, Dating You / Hating You) new romance. Marriages of convenience are so ... inconvenient. Rescued by Calvin McLoughlin from a would-be subway attacker, Holland Bakker pays the brilliant musician back by pulling some of her errand-girl strings and getting him an audition with a bigtime musical director. When the tryout goes better than even Holland could have imagined, Calvin is set for a great entry into Broadway--until he admits his student visa has expired and he's in the country illegally. Holland impulsively offers to wed the Irishman to keep him in New York, her growing infatuation a secret only to him. As their relationship evolves from awkward roommates to besotted lovers, Calvin becomes the darling of Broadway. In the middle of the theatrics and the acting-not-acting, what will it take for Holland and Calvin to realize that they both stopped pretending a long time ago?"--